Ustad Faiyaz Khan ‘Prem Piya’ (1881–1950), also known as “Aftaab-e-Mousiqi” or “the Sun of Music,” was a towering figure in the world of Hindustani classical music. His life and legacy offer a fascinating glimpse into the rich traditions of the Gharana system, where musical mastery was passed down through generations and shaped by the brilliance of individual maestros.
Born in 1881 to Abbasi Begum, the posthumous child of Ghulam Abbas Khan, Faiyaz Khan was raised by his grandfather after his mother’s unfortunate displacement from the Rangila Gharana. Despite these early challenges, Faiyaz Khan’s musical journey was nothing short of extraordinary. His grandfather’s mentorship played a key role in his development, shaping him into an exceptional vocalist.
Faiyaz Khan’s association with the Baroda darbar is significant. He became deeply embedded in the classical music circles, performing across undivided India and leaving an indelible mark on the musical landscape. His compositions, characterized by the intricate interplay of bol and laya, are still celebrated for their aesthetic beauty and depth. His contributions to the Gharana, particularly in terms of style and technique, were profound, making him an undisputed authority in classical music.
His influence extended far beyond his immediate circle. Numerous distinguished musicians from all walks of life sought his guidance. Some, like Dilip Chandra Vedi, Srikrishna Ratanjankar, and Pt Shyam Joshi (Pt. GS Hegde Bellekeri), benefitted from his tutelage, absorbing his unique vocal style. Faiyaz Khan’s work continues to resonate through his disciples and his musical recordings.
It’s particularly noteworthy that, despite his prominence, Faiyaz Khan remained deeply connected to the cultural and musical heritage of his gharana, ensuring that his legacy was preserved and passed on. His title “Aftaab-e-Mousiqi” is more than just an honor—it signifies his radiant contribution to the world of music, likening him to the sun that illuminates and nourishes all those around it.